Wireless monitoring is showing up more on still photography sets. It’s been standard on motion shoots for a while, but stills photographers and clients are starting to expect the same flexibility. If you’re setting one up for the first time, here’s what to know.
Wireless signals are prone to interference, range limitations, and signal degradation due to external factors and antenna placement. To ensure a smooth shoot, it’s critical to set expectations, test the location in advance, and always have backup wired solutions on hand.
Option 1: iPad as a Wireless Monitor
Using an iPad for wireless monitoring is a lightweight, portable, and cost-effective solution. Wireless transmitters such as the Hollyland 4K / Pyro, Accsoon CineView HE, and Teradek Serv can send video feeds directly to an iPad via an app.
Pros of an iPad Workflow
- Portable and lightweight. Easy for clients to hold and carry around
- Touchscreen controls. Allows for easy zooming and markup
- Affordable compared to dedicated video monitors
Limitations of an iPad Workflow
- Relies on WiFi. The iPad has no external antennas, limiting range and signal strength
- Potential lag. Unlike wired setups, there may be a slight delay in the feed
- Limited power options. Transmitters require external power solutions for all-day use
Bonus Tip: Newer generation iPads can now be used with a USB capture device to take a video signal INTO the iPad, opening up more transmitter options.
Option 2: Wireless Computer Monitor
For those who want a larger screen or prefer a color-accurate workflow, a wireless computer monitor is a great alternative. Many wireless transmitters provide HDMI outputs, allowing you to use an Eizo, NEC, or any standard monitor.
Pros of a Wireless Computer Monitor
- Larger screen for better image review
- More accurate color compared to an iPad
- Familiar interface. Works like a wired monitor but without the cable clutter
Limitations of a Wireless Computer Monitor
- Aspect ratio constraints. Most wireless systems transmit at 16:9, which may cause letterboxing on other ratio monitors
- Color accuracy issues. Wireless signals typically conform to Rec709/sRGB
- Powering the monitor. Traditional monitors require external power, which can be cumbersome on location
Option 3: Wireless Video Monitor
If you need a professional-grade monitor with rugged durability, a wireless video monitor is the best choice. Unlike iPads or standard computer monitors, video monitors are designed for production use, with built-in tools for exposure, focus, and color calibration.
Recommended Video Monitors for Wireless Use
- Osee Megamon 15. A rugged 15-inch monitor with built-in battery plate, mounting hardware, and sun hood in a carry case
- Osee 22″ High-Bright Monitor. Designed for location work, ideal for larger setups
- SmallHD Cine24. Gold/V-mount-powered monitor that allows easy sandwiching of the Teradek wireless receiver
Conclusion
Choosing the right wireless monitoring setup depends on your specific shoot requirements, budget, and workflow needs. IPads are great for client review but have limited range. Wireless computer monitors provide a familiar workspace with a larger screen. Dedicated video monitors offer rugged, professional solutions at a higher investment.
Test your setup before the shoot, let clients know what to expect, and keep a wired backup handy just in case.